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Leviathan (The Leviathan Trilogy) Paperback – August 10, 2010

4.5 out of 5 stars 1,360 ratings

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It is the cusp of World War I. The Austro-Hungarians and Germans have their Clankers, steam-driven iron machines loaded with guns and ammunition. The British Darwinists employ genetically fabricated animals as their weaponry. Their Leviathan is a whale airship, and the most masterful beast in the British fleet.

Aleksandar Ferdinand, a Clanker, and Deryn Sharp, a Darwinist, are on opposite sides of the war. But their paths cross in the most unexpected way, taking them both aboard the Leviathan on a fantastical, around-the-world adventure….One that will change both their lives forever.
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Editorial Reviews

About the Author

Scott Westerfeld is the author of the Leviathan series, the first book of which was the winner of the 2010 Locus Award for Best Young Adult Fiction. His other novels include the New York Times bestseller Afterworlds, the worldwide bestselling Uglies series, The Last Days, Peeps, So Yesterday, and the Midnighters trilogy. Visit him at ScottWesterfeld.com or follow him on Twitter at @ScottWesterfeld.

Keith Thompson’s work has appeared in books, magazines, TV, video games, and films. See his work at KeithThompsonArt.com.

Excerpt. © Reprinted by permission. All rights reserved.

Leviathan ONE
The Austrian horses glinted in the moonlight, their riders standing tall in the saddle, swords raised. Behind them two ranks of diesel-powered walking machines stood ready to fire, cannon aimed over the heads of the cavalry. A zeppelin scouted no-man’s-land at the center of the battlefield, its metal skin sparkling.

The French and British infantry crouched behind their fortifications—a letter opener, an ink jar, and a line of fountain pens—knowing they stood no chance against the might of the Austro-Hungarian Empire. But a row of Darwinist monsters loomed behind them, ready to devour any who dared retreat.

The attack had almost begun when Prince Aleksandar thought he heard someone outside his door… .

He took a guilty step toward his bed—then froze in place, listening hard. Trees stirred in a soft breeze outside, but otherwise the night was silent. Mother and Father were in Sarajevo, after all. The servants wouldn’t dare disturb his sleep.



Alek turned back to his desk and began to move the cavalry forward, grinning as the battle neared its climax. The Austrian walkers had completed their bombardment, and it was time for the tin horses to finish off the woefully outnumbered French. It had taken all night to set up the attack, using an imperial tactics manual borrowed from Father’s study.

It seemed only fair that Alek have some fun while his parents were off watching military maneuvers. He’d begged to be taken along, to see the mustered ranks of soldiers striding past in real life, to feel the rumble of massed fighting machines through the soles of his boots.

It was Mother, of course, who had forbidden it—his studies were more important than “parades,” as she called them. She didn’t understand that military exercises had more to teach him than musty old tutors and their books. One day soon Alek might be piloting one of those machines.

War was coming, after all. Everyone said so.

The last tin cavalry unit had just crashed into the French lines when the soft sound came from the hallway again: jingling, like a ring of keys.

Alek turned, peering at the gap beneath his bed chamber’s double doors. Shadows shifted along the sliver of moonlight, and he heard the hiss of whispers.

Someone was right outside.

Silent in bare feet, he swiftly crossed the cold marble floor, sliding into bed just as the door creaked open. Alek narrowed his eyes to a slit, wondering which of the servants was checking on him.

Moonlight spilled into the room, making the tin soldiers on his desk glitter. Someone slipped inside, graceful and dead silent. The figure paused, staring at Alek for a moment, then crept toward his dresser. Alek heard the wooden rasp of a drawer sliding open.

His heart raced. None of the servants would dare steal from him!

But what if the intruder were something worse than a thief? His father’s warnings echoed in his ears… .

You have had enemies from the day you were born.

A bell cord hung next to his bed, but his parents’ rooms were empty. With Father and his bodyguard in Sarajevo, the closest sentries were quartered at the other end of the trophy hall, fifty meters away.

Alek slid one hand under his pillow, until his fingers touched the cold steel of his hunting knife. He lay there holding his breath, grasping the handle tightly, repeating to himself his father’s other watchword.

Surprise is more valuable than strength.

Another figure came through the door then, boots clomping, a piloting jacket’s metal clips jingling like keys on a ring. The figure tromped straight toward his bed.

“Young master! Wake up!”

Alek let go of the knife, expelling a sigh of relief. It was just old Otto Klopp, his master of mechaniks.

The first figure began rifling through the dresser, pulling at clothes.

“The young prince has been awake all along,” Wildcount Volger’s low voice said. “A bit of advice, Your Highness? When pretending to be asleep, it is advisable not to hold one’s breath.”

Alek sat up and scowled. His fencing master had an annoying knack for seeing through deception.

“What’s the meaning of this?”

“You’re to come with us, young master,” Otto mumbled, studying the marble floor. “The archduke’s orders.”

“My father? He’s back already?”

“He left instructions,” Count Volger said with the same infuriating tone he used during fencing lessons. He tossed a pair of Alek’s trousers and a piloting jacket onto the bed.

Alek stared at them, half outraged and half confused.

“Like young Mozart,” Otto said softly. “In the arch-duke’s stories.”

Alek frowned, remembering Father’s favorite tales about the great composer’s upbringing. Supposedly Mozart’s tutors would wake him in the middle of the night, when his mind was raw and defenseless, and thrust musical lessons upon him. It all sounded rather disrespectful to Alek.

He reached for the trousers. “You’re going to make me compose a
fugue?”

“An amusing thought,” Count Volger said. “But please make haste.”

“We have a walker waiting behind the stables, young master.” Otto’s worried face made an attempt at a smile. “You’re to take the helm.”

“A walker?” Alek’s eyes widened. Piloting was one part of his studies he’d gladly get out of bed for. He slipped quickly into the clothes.

“Yes, your first night lesson!” Otto said, handing Alek his boots.

Alek pulled them on and stood, then fetched his favorite pilot’s gloves from the dresser, his footsteps echoing on the marble floor.

“Quietly now.” Count Volger stood by the chamber doors. He cracked them and peered out into the hall.

“We’re to sneak out, Your Highness!” Otto whispered. “Good fun, this lesson! Just like young Mozart!”



The three of them crept down the trophy hall, Master Klopp still clomping, Volger gliding along in silence. Paintings of Alek’s ancestors, the family who had ruled Austria for six hundred years, lined the hallway, their subjects staring down with unreadable expressions. The antlers of his father’s hunting trophies cast tangled shadows, like a moonlit forest. Every footstep was magnified by the stillness of the castle, and questions echoed in Alek’s mind.

Wasn’t it dangerous, piloting a walker at night? And why was his fencing master coming along? Count Volger preferred swords and horses over soulless mechaniks, and had little tolerance for commoners like old Otto. Master Klopp had been hired for his piloting skills, not his family name.

“Volger …,” Alek began.

Quiet, boy!” the wildcount spat.

Anger flashed inside Alek, and a curse almost burst from his mouth, even if it ruined their stupid game of sneaking out.

It was always like this. To the servants he might be “the young archduke,” but nobles like Volger never let Alek forget his position. Thanks to his mother’s common blood, he wasn’t fit to inherit royal lands and titles. His father might be heir to an empire of fifty million souls, but Alek was heir to nothing.

Volger himself was only a wildcount—no farmlands to his name, just a bit of forest—but even he could feel superior to the son of a lady-in-waiting.

Alek managed to stay quiet, though, letting his anger cool as they stole through the vast and darkened banquet kitchens. Years of insults had taught him how to bite his tongue, and disrespect was easier to swallow with the prospect of piloting ahead.

One day he would have his revenge. Father had promised. The marriage contract would be changed somehow, and Alek’s blood made royal.

Even if it meant defying the emperor himself.

Leviathan TWO
By the time they reached the stables, Alek’s only concern was tripping in the darkness. The moon was less than half full, and the estate’s hunting forests stretched like a black sea across the valley. At this hour even the lights of Prague had died out to a mere inkling.

When Alek saw the walker, a soft cry escaped his lips.

It stood taller than the stable’s roof, its two metal feet sunk deep into the soil of the riding paddock. It looked like one of the Darwinist monsters skulking in the darkness.

This wasn’t some training machine—it was a real engine of war, a Cyklop Stormwalker. A cannon was mounted in its belly, and the stubby noses of two Spandau machine guns sprouted from its head, which was as big as a smokehouse.

Before tonight Alek had piloted only unarmed runabouts and four-legged training corvettes. Even with his sixteenth birthday almost here, Mother always insisted that he was too young for war machines.



“STEALING AWAY.”

“I’m supposed to pilot
that?” Alek heard his own voice break. “My old runabout wouldn’t come up to its knee!”

Otto Klopp’s gloved hand patted his shoulder heavily. “Don’t worry, young Mozart. I’ll be at your side.”

Count Volger called up to the machine, and its engines rumbled to life, the ground trembling under Alek’s feet. Moonlight shivered from the wet leaves in the camouflage nets draped over the Stormwalker, and the mutter of nervous horses came from the stable.

The belly hatch swung open and a chain ladder tumbled out, unrolling as it fell. Count Volger stilled it from swinging, then planted a boot on the lowermost metal rung to hold it steady.

“Young master, if you please.”

Alek stared up at the machine. He tried to imagine guiding this monster through the darkness, crushing trees, buildings, and anything else unlucky enough to be in his path.

Otto Klopp leaned closer. “Your father the archduke has thrown us a challenge, me and you. He wants you ready to pilot any machine in the House Guard, even in the middle of the night.”

Alek swallowed. Father always said that, with war on the horizon, everyone in the household had to be prepared. And it made sense to begin training while Mother was away. If Alek crashed the walker, the worst bruises might fade before the princess Sophie returned.

But Alek still hesitated. The belly hatch of the rumbling machine looked like the jaws of some giant predator bending down to take a bite.

“Of course, we cannot force you, Your Serene Highness,” Count Volger said, amusement in his voice. “We can always explain to your father that you were too scared.”

“I’m
not scared.” Alek grabbed the ladder and hoisted himself up. The sawtooth rungs gripped his gloves as Alek climbed past the anti-boarding spikes arrayed along the walker’s belly. He crawled into the machine’s dark maw, the smell of kerosene and sweat filling his nose, the engines’ rhythm trembling in his bones.

“Welcome aboard, Your Highness,” a voice said. Two men waited in the gunners’ cabin, steel helmets glittering. A Stormwalker carried a crew of five, Alek recalled. This wasn’t some little three-man runabout. He almost forgot to return their salutes.

Count Volger was close behind him on the ladder, so Alek kept climbing up into the command cabin. He took the pilot’s seat, strapping himself in as Klopp and Volger followed.

He placed his hands on the saunters, feeling the machine’s awesome power trembling in his fingers. Strange to think that these two small levers could control the walker’s huge metal legs.

“Vision at full,” Klopp said, cranking the viewport open as wide as it would go. The cool night air spilled into the Stormwalker’s cabin, and moonlight fell across dozens of switches and levers.

The four-legged corvette he’d piloted the month before had needed only control saunters, a fuel gauge, and a compass. But now uncountable needles were arrayed before him, shivering like nervous whiskers.

What were they all
for?

He pulled his eyes from the controls and stared through the viewport. The distance to the ground gave him a queasy feeling, like peering down from a hayloft with thoughts of jumping.

The edge of the forest loomed only twenty meters away. Did they really expect him to pilot this machine through those dense trees and tangled roots …
at night?

“At your pleasure, young master,” Count Volger said, sounding bored already.

Alek set his jaw, resolving not to provide the man with any more amusement. He eased the saunters forward, and the huge Daimler engines changed pitch as steel gears bit, grinding into motion.

The Stormwalker rose from its crouch slowly, the ground slipping still farther away. Alek could see across the treetops now, all the way to shimmering Prague.

He pulled the left saunter back and pushed the right forward. The machine lumbered into motion with an inhumanly large step, pressing him back into the pilot’s seat.

The right pedal rose a little as the walker’s foot hit soft ground, nudging Alek’s boot. He twisted at the saunters, transferring weight from one foot to the other. The cabin swayed like a tree house in a high wind, lurching back and forth with each giant step. A chorus of hissing came from the engines below, gauges dancing as the Stormwalker’s pneumatic joints strained against the machine’s weight.

“Good … excellent,” Otto muttered from the commander’s seat. “Watch your knee pressure, though.”

Alek dared a glance down at the controls, but had no idea what Master Klopp was talking about.
Knee pressure? How could anyone keep track of all those needles without driving the whole contraption into a tree?

“Better,” the man said a few steps later. Alek nodded dumbly, overjoyed that he hadn’t tipped them over yet.

Already the forest was looming up, filling the wide-open viewport with a dark tangle of shapes. The first glistening branches swept past, thwacking at the viewport, spattering Alek with cold showers of dew.

“Shouldn’t we spark up the running lights?” he asked.

Klopp shook his head. “Remember, young master? We’re pretending we don’t want to be spotted.”

“Revolting way to travel,” Volger muttered, and Alek wondered again why the man was here. Was there to be a
fencing lesson after this? What sort of warrior-Mozart was his father trying to make him into?

The shriek of grinding gears filled the cabin. The left pedal snapped up against Alek’s foot, and the whole machine tipped ominously forward.

“You’re caught, young master!” Otto said, hands ready to snatch the saunters away.

“I
know!” Alek cried, twisting at the controls. He slammed the machine’s right foot down midstride, its knee joint spitting air like a train whistle. The Stormwalker wavered drunkenly for a moment, threatening to fall. But long seconds later Alek felt the machine’s weight settle into the moss and dirt. It was balanced with one foot stretching back, like a fencer posing after a lunge.

He pushed on both saunters, the left leg pulling at whatever had entangled it, the right straining forward. The Daimler engines groaned, and metal joints hissed. Finally a shudder passed through the cabin, along with the satisfying sound of roots tearing from the ground— the Stormwalker rising up. It stood high for a moment, like a chicken on one leg, then stepped forward again.

Alek’s shaking hands guided the walker through its next few strides.

“Well done, young master!” Otto cried. He clapped his hands once.

“Thank you, Klopp,” Alek said in a dry voice, feeling sweat trickle down his face. His hands clenched the saunters tight, but the machine was walking smoothly again.

Gradually he forgot that he was at the controls, feeling the steps as if they were his own. The sway of the cabin settled into his body, the rhythms of gears and pneumatics not so different from his runabout’s, only louder. Alek had even begun to see patterns in the flickering needles of the control panel—a few leapt into the red with every footfall, easing back as the walker straightened. Knee pressure, indeed.

But the sheer power of the machine kept him anxious. Heat from the engines built in the cabin, the night air blowing in like cold fingers. Alek tried to imagine what piloting would be like in battle, with the viewport half shut against flying bullets and shrapnel.

Finally the pine branches cleared before them, and Klopp said, “Turn here and we’ll have better footing, young master.”

“Isn’t this one of Mother’s riding paths?” Alek said. “She’ll have my hide if we track it up!” Whenever one of Princess Sophie’s horses stumbled on a walker footprint, Master Klopp, Alek, and even Father felt her wrath for days.

But he eased back on the throttle, grateful for a moment of rest, bringing the Stormwalker to a halt on the trail. Inside his piloting jacket Alek was soaked with sweat.

“Disagreeable in every way, Your Highness,” Volger said. “But necessary if we’re to make good time tonight.”

Alek turned to Otto Klopp and frowned. “Make good time? But this is just practice. We’re not
going anywhere, are we?”

Klopp didn’t answer, his eyes glancing up at the count. Alek pulled his hands from the saunters and swiveled the pilot’s chair around.

“Volger, what’s going on?”

The wildcount stared down at him in silence, and Alek felt suddenly very alone out here in the darkness.

His mind began to replay his father’s warnings: How some nobles believed that Alek’s muddled lineage threatened the empire. That one day the insults might turn into something worse… .

But these men
couldn’t be traitors. Volger had held a sword to his throat a thousand times in fencing practice, and his master of mechaniks? Unthinkable.

“Where are we going, Otto? Explain this
at once.”

“You’re to come with us, Your Highness,” Otto Klopp said softly.

“We have to get as far away from Prague as possible,” Volger said. “Your father’s orders.”

“But my father isn’t even …” Alek gritted his teeth and swore. What a
fool he’d been, tempted into the forest with tales of midnight piloting, like luring a child with candy. The whole household was asleep, his parents away in Sarajevo.

Alek’s arms were still tired from fighting to keep the Stormwalker upright, and strapped into the pilot’s chair he could hardly draw his knife. He closed his eyes—he’d left the weapon back in his room, under the pillow.

“The archduke left instructions,” Count Volger said.

“You’re
lying!” Alek shouted.

“I wish we were, young master.” Volger reached into his riding jacket.

A surge of panic swept into Alek, cutting through his despair. His hands shot to the unfamiliar controls, searching for the distress whistle’s cord. They couldn’t be far from home yet. Surely
someone would hear the Stormwalker’s shriek.

Otto jumped into motion, grabbing Alek’s arms. Volger swept a flask from his jacket and forced its open mouth to Alek’s face. A sweet smell filled the cabin, sending his mind spinning. He tried not to breathe, struggling against the larger men.

Then his fingers found the distress cord and pulled—

But Master Klopp’s hands were already at the controls, spilling the Stormwalker’s pneumatic pressure. The whistle let out only a miserable descending wail, like a teakettle pulled from the fire.

Alek still struggled, holding his breath for what felt like minutes, but finally his lungs rebelled. He scooped in a ragged breath, the sharp scent of chemicals filling his head …

A cascade of bright spots fell across the instruments, and a weight seemed to lift from Alek’s shoulders. He felt as though he were floating free of the men’s grasp, free of the seat straps—free of gravity, even.

“My father will have your heads,” he managed to croak.

“Alas not, Your Highness,” Count Volger said. “Your parents are both dead, murdered this night in Sarajevo.”

Alek tried to laugh at this absurd statement, but the world twisted sideways under him, darkness and silence crashing down.

Product details

  • Publisher ‏ : ‎ Simon & Schuster Books for Young Readers; Reprint edition (August 10, 2010)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 464 pages
  • ISBN-10 ‏ : ‎ 1416971742
  • ISBN-13 ‏ : ‎ 978-1416971740
  • Reading age ‏ : ‎ 10 - 13 years, from customers
  • Lexile measure ‏ : ‎ 790L
  • Grade level ‏ : ‎ 7 - 9
  • Item Weight ‏ : ‎ 1.3 pounds
  • Dimensions ‏ : ‎ 1.18 x 5.47 x 8.23 inches
  • Customer Reviews:
    4.5 out of 5 stars 1,360 ratings

About the author

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Scott Westerfeld
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Scott Westerfeld is the author of twelve New York Times bestsellers, including the multimillion-selling Uglies series. Published in thirty-five languages and loved by generations of young readers, Uglies has now been adapted as a feature film starring Joey King, streaming on Netflix in late 2024. The New York Times called the novels, "A superb piece of popular art."

The Uglies series continues in the Impostors books, all four of which are out now.

Westerfeld is also known for the Leviathan trilogy, a seminal work in the steampunk genre. Published in more than twenty countries, all three books are being adapted as an anime series by Orange Studio in Japan, streaming on Netflix worldwide in 2025.

Westerfeld's books have won many awards, including the Philip K. Dick (Special Citation), Indie Choice, and Locus, and been named New York Times Notable and ALA Best Books of the Year. His work has also won the Victorian Premier's, Aurealis, and Ditmar awards in Australia, and the Grand Prix de l'Imaginaire in France. 

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Customers say

Customers find this book entertaining from start to finish, with a unique spin on YA historical fiction and brilliant illustrations that capture the imagination. The story features three-dimensional characters and a richly realized world, making it suitable for both young and adult readers. Customers praise the writing style and consider it a great start to a series.

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128 customers mention "Story quality"128 positive0 negative

Customers find this book to be a thrilling and entertaining read from start to finish, with an engaging plot that gets straight to the story.

"...That's a very basic outline of the story, which is far more complicated than I have described, especially considering that Leviathan is based on the..." Read more

"...This is going to be one of those well-thumbed through books as readers go back again and again to look at the art...." Read more

"...I really enjoyed this book a lot. Despite the war-time and technological advancement politics, the book kept a nice pace...." Read more

"...I love everything about this book, from the fantastically imagined steampunk alternate universe of WWI to the incredible characters to the brilliant..." Read more

79 customers mention "Steampunk"79 positive0 negative

Customers enjoy the steampunk elements of the book, describing it as a unique spin on YA historical fiction with amazing adventures and an interesting take on the genre.

"...conjures an exquisite blend of steampunk, mutations, slight twists of history, and staying true to actual events to create a tight, interesting, and..." Read more

"...The action in the book remains frantic from the opening page to the last...." Read more

"...(which is in both the the Audible edition and Kindle edition) is really interesting and covers the historical events vs. his fictional ones a bit..." Read more

"...I love everything about this book, from the fantastically imagined steampunk alternate universe of WWI to the incredible characters to the brilliant..." Read more

47 customers mention "Illustrations"47 positive0 negative

Customers appreciate the illustrations in the book, describing them as brilliant, beautifully realized, and worth a thousand words.

"...To compliment the awesome prose, are pictures illustrated by Keith Thompson, who captures the essence of the story beautifully...." Read more

"...His iron contraptions look fantastic, and the hybrid creatures seem ready to jump off the pages...." Read more

"...The book contains illustrations that were very nice. I flipped through the Kindle edition at some point and looked at all of them...." Read more

"...alternate universe of WWI to the incredible characters to the brilliant artwork that Keith Thompson added to the story there's basically nothing..." Read more

43 customers mention "World building"38 positive5 negative

Customers appreciate the world-building in the book, describing it as rich and captivating, with one customer noting how it helps visualize the bizarre setting, while another mentions how it opens up new ideas.

"...care about them, we want them to succeed, and we are interested in every one of their decisions. Even the side characters are fun to read...." Read more

"...pages and became entranced at once in this entertaining and captivating world...." Read more

"...His novels lose nothing in their complexity, fully realized worlds and characters, and sheer excitement...." Read more

"...I really like both the main characters, Deryn is smart, brave, and determined not to let the fact that she is a girl keep her from her dream of..." Read more

41 customers mention "Character development"38 positive3 negative

Customers appreciate the character development in the book, noting that the characters are three-dimensional and fun to read. One customer mentions that the dialogue matches each character beautifully, while another notes how they embrace their own cultures.

"...Even the side characters are fun to read...." Read more

"...adventure set in 1914 that follows two protagonists in alternating third-person...." Read more

"...imagined steampunk alternate universe of WWI to the incredible characters to the brilliant artwork that Keith Thompson added to the story there's..." Read more

"...novels lose nothing in their complexity, fully realized worlds and characters, and sheer excitement...." Read more

27 customers mention "Age range"27 positive0 negative

Customers appreciate that the book is suitable for kids and adults alike, with one customer noting it creates interest in young people for that era.

"...This could open up some great familial or classroom discussions about history and the opposing technology (machines or engineered creatures)...." Read more

"...His writing is so clear and clean that it can be accessible to younger readers - but without diluting the story one whit...." Read more

"Kid loved the book" Read more

"...They're both young, brave, and a little bit reckless...." Read more

22 customers mention "Writing style"22 positive0 negative

Customers praise the writing style of the book, finding it extremely well composed, with one customer noting how it helps develop a rich personal vocabulary.

"...All of this is told in an effective writing style, which does more than just get the job done. It's funny, quick-paced, and a lot of fun to read...." Read more

"...His writing is so clear and clean that it can be accessible to younger readers - but without diluting the story one whit...." Read more

"...The writing is really cheeky. The dialogue matched each character beautifully. Alek, our Austrian prince, is such a strong character...." Read more

"...I thoroughly enjoyed this story. It's well written, creative and jam-packed with suspense and action...." Read more

19 customers mention "Series quality"19 positive0 negative

Customers enjoy the series quality, describing it as a great start to an awesome trilogy, with one customer noting that the sequel is at least ten times better than the first book.

"...Still, this book is worth reading, and its sequel is at least ten times better. Without doubt, the Leviathan series is a steampunk classic." Read more

"This book had a every good premise, but one thinks that Turtledove's Darkness series covered much of the thought process, yet Westerfield makes..." Read more

"...All in all, a decent story, almost prologue like, that will leave you wanting to read the next book." Read more

"...I look forward to the next two installments in this fun adventure trilogy." Read more

Top reviews from the United States

  • Reviewed in the United States on February 3, 2011
    It's difficult to write a young adult book that really works, especially in this genre. But Scott Westerfeld really knows his job.

    With the backdrop of the beginning of World War I, Leviathan opens with Alek, the young prince of Austria, who finds he has no throne. His father and mother have been killed, and he is taken for a wild adventure by his tutor and a small band of men in a single fighting machine, on the run from his own people. Next we come to Deryn, a British girl, who disguises herself as a boy to join the Navy.

    Alek of the Clankers, the Axis, and Deryn of the Darwinists, the Allies, are enemies by name, but are destined to greater things.

    That's a very basic outline of the story, which is far more complicated than I have described, especially considering that Leviathan is based on the actual events and political turmoil of the First World War. Westerfeld conjures an exquisite blend of steampunk, mutations, slight twists of history, and staying true to actual events to create a tight, interesting, and frankly quite brilliant science fiction slash alternate history novel.

    There are two reasons why Leviathan works so well. The first and lesser of the reasons is how he develops the story world. This is an extremely difficult task and many others have failed on this aspect. Westerfeld, on the other hand, makes everything feel so natural, despite it being something that we can hardly even imagine. But what enhances this even more is the second reason why Leviathan works so well.

    Characterization. This is the single most difficult skill to masker in story telling. Characterization is the most key aspect of a story, and Westerfeld nails it. The reason why the story world feels so realistic and natural is the way the characters act and live in it. Westerfeld doesn't make Alek gape wide-eyed at giant complicated machines. He isn't surprised to see a half tiger, half dog held on a leash by a tall woman. That's not to say they don't frighten him. After all, mutated beasts are fabrications of the enemy, and giant complicated machines belong to the Axis, who is trying to kill him.

    It's safe to say that Westerfeld is a master of characterization. The weight of the story falls on the shoulders of Alek and Deryn, and they hold it well. We care about them, we want them to succeed, and we are interested in every one of their decisions. Even the side characters are fun to read. The captain of the Leviathan, which is a huge floating whale; Dr. Barlow, a tall, stately, mysterious passenger; Count Volger, the man who was Alek's tutor at home, and the man who helps Alek survive out in the world. Every one of these characters are wonderfully developed, brought to life, and, most importantly, believable.

    The plot is simple and complicated at the same time. Westerfeld melds the intricate politics of counties at war with the main characters' personal struggles, giving the heroes and heroines that much more weight. There is mystery, intrigue, suspense, and lots of action. Everything starts in the first chapter. From the got go, we're hooked. And it doesn't let up, even at the end, which is ready to lead right into the sequel.

    All of this is told in an effective writing style, which does more than just get the job done. It's funny, quick-paced, and a lot of fun to read. The pages speed passed. The entire book is simply a joy to read.

    To compliment the awesome prose, are pictures illustrated by Keith Thompson, who captures the essence of the story beautifully. His artwork is astounding.

    I have no complaints whatsoever about this book. In my opinion, the author has succeeded on every level. There was never a dull moment, and I enjoyed every minute.

    For all of these reasons, I highly recommend this book to anyone at any age.
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  • Reviewed in the United States on March 26, 2010
    Scott Westerfeld's new steampunk/alternate history trilogy that begins with Leviathan is absolutely brilliant. I started turning pages and became entranced at once in this entertaining and captivating world. I cringe when I think about how long it's going to be till the next book (at this point, I don't know).

    As a history major, I'm familiar with the plots and portents of World War I (initially called the Great War) and how all the nations of the world at that time were involved in power plays and land grabs. Westerfeld plays fast and loose with history, though, so you don't have to worry about having a firm grasp of the actual events. He's changed a lot of things and simply made the background his own.

    He furthermore splits the world into the Clankers and the Darwinists. The Clankers have a tendency to produce mechanical things, tanks with legs instead of treads. The Darwinists have cracked "the threads of life" (DNA) and have learned how to combine different species to create enhanced life forms or whole new ones.

    Leviathan is one of those Darwanist concoctions. Essentially it's a flying whale, an organic zeppelin (though there are ordinary zeppelins in the novel as well). However, the whale is accompanied by a whole host of other creatures that form a vast eco-system that floats high above the earth.

    There are insect-dogs with the ability to sniff out hydrogen leaks, bees that gorge themselves on nectar to make honey the whale can eat, falcons that fly around dropping nets on opposing aircraft, and bats that eat nails and defecate them out later to rain havoc on airborne enemies as well as ones that trail along the ground.

    The main characters are a boy of nearly sixteen who is the escaped Austrian prince evading German killers, and a sixteen year old girl, Deryn, who's masquerading as a boy to be part of London's air service. Prince Alex and Deryn/Dylan are a perfect complement for each other. Alex has all the courtly training, and Deryn is a perfectly obnoxious young boy from the streets of the city. It's really fun how most people would expect the opposite, yet they play off each other so well. Alex tends to be quiet and shy, and Deryn is explosive and perky.

    The interior art by Keith Thompson is going to have young artists going steampunk in no time. His iron contraptions look fantastic, and the hybrid creatures seem ready to jump off the pages. This is going to be one of those well-thumbed through books as readers go back again and again to look at the art.

    The action in the book remains frantic from the opening page to the last. Our heroes jump from frying pan to the fire over and over again, each time barely escaping by the skin of their teeth. Westerfeld makes certain the scientific and world surprises keep coming too. I can't wait to see what happens next, but I wish it wasn't going to take so long.
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  • dejonghe
    5.0 out of 5 stars Super histoire
    Reviewed in France on January 6, 2020
    Une excellent aventure dans un univers steampunk. La manière de l'auteur de dévier certaines réalités historiques pour en faire une fiction complètement différente de la réalité est extrèmement prenante.
    Malgrès le niveau de vocabulaire anglais, on se plonge très bien dans le récit sans difficulté pour comprendre (même pour quelqu'un de moyennement à l'aise en anglais)
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  • Carina S
    5.0 out of 5 stars Überraschend gut
    Reviewed in Germany on July 17, 2012
    Beim Lesen von Leviathan kam ich mir ja schon leicht vor wie ein kleiner Junge, der sich nicht mehr von seinem neusten Spielzeug losreißen kann.
    Denn mit diesem Buch habe ich meinen ersten richtigen Steampunk Roman gelesen und war hin und weg aus der Mischung von Vergangenheit und Zukunft.

    Anfangs hatte ich meine Zweifel, dass mir das Buch gefallen könnte, da ich historische Romane eher weniger bis gar nicht mag und auch das Thema Weltkrieg ist nichts, von dem ich mir ein paar interessante Lesestunden versprechen würde. Scott Westerfeld hat mich aber mit diesem Buch vollkommen davon überzeugt, dass nur die richtige Geschichte her muss, um mich auch für dieses Thema zu begeistern.

    Und was es hier so alles zu entdecken gibt. Alle diese futuristischen Erfindungen waren richtig aufregend und in so einem Setting mal etwas ganz anderes. Die Maschinen die hier genutzt werden und vor allem die Leviathan selbst haben schnell dafür gesorgt, dass ich an das Buch gefesselt war und immer mehr von diesen interessanten neuen Dingen erfahren wollte.

    Überrascht war ich vor allem auch von der Geschichte, da ich durch den Klappentext eine ganz andere Vorstellung der Ereignisse hatte. Denn dort wird ein Ereignis angesprochen, welches sich erst sehr weit hinten im Buch abspielt und so war ich beim Lesen immer in Gedanken an dieses und habe darauf hin gehibbelt.
    Vor allem mochte ich auch die parallelen Handlungsstränge die nach und nach aufeinander zuliefen. Sowas begeistert mich immer total, wenn Dinge sich an verschiedenen Orten abspielen und man so verschiedene Personen ziemlich schnell sehr gut kennen lernen kann, da man die Dinge aus ihrer Sicht zu lesen bekommt und nicht nur aus einer, in der plötzlich eine weitere Person auftaucht.

    Umso glücklicher bin ich wieder, dass ich mir gleich das zweite Buch 'Behemoth' bestellen konnte und auch der dritte nicht mehr allzu lange auf sich warten lässt, denn am liebsten hätte ich diese Trilogie in einem Rutsch gelesen, so begeistert war ich von dem Abenteuer dass Alex und Deryn zusammen erlebt haben und so gespannt bin ich auf die, die noch kommen werden.
    Scott Westerfeld hat es geschafft mich für ein Thema zu begeistern von dem ich nie gedacht hätte, dass es ein paar aufregende Lesestunden für mich bereithalten würde und mir definitiv Lust auf mehr Steampunk gemacht.
  • ageofextremes
    4.0 out of 5 stars 面白い世界観
    Reviewed in Japan on July 22, 2012
     歴史改変物、俗にスティームパンク、というジャンルの本です。舞台は第一次世界大戦時の欧州。遺伝子操作技術を可能にした英国(陣営)と機械式技術を発展させたドイツ(陣営)とが闘う、という事実と空想が入り混じった世界が背景。オーストリアの皇位継承者アレックと英国人の新人兵士デリン(ディラン、本当は女性)が主人公。
     本書は一冊のほとんどが長いイントロ、といった感じになっています。1冊の本、という観点からすると少し物足りない。シリーズ全体の中で位置づければ違うかもしれませんが。
     本ペーパーバックの特徴は、一つにはキース・トンプソン(トムソン)によるイラスト。内容理解に役立つだけでなく、一つ一つの絵がとても楽しめるものになっています。もう一つは重い!こと。上質紙を使用していることもありますが、電車の中等で片手だけで読んでいると手が疲れてきます。
     Simon and Schuster社のYouTubeチャンネルにおける紹介文言、"Do you oil your war machines? or Do you feed them?"が本書のエッセンスとなっています。
  • Misquic
    5.0 out of 5 stars Il miglior Steampunk per ragazzi...
    Reviewed in Italy on November 19, 2017
    ... che mi sia mai capitato sotto il naso.
    Da qualche parte nel mondo spero ci sia un altro libro da leggere, che superi quelli che ho già letto. O almeno, ogni lettore dovrebbe sognarlo, altrimenti chiuso un libro, ci aspetterebbero ore e giorni di noia. E' un po' con questa sensazione che ho chiuso questo libro, sapendo che difficilmente troverò di meglio per questa fascia d'età (ragazzi) e con questo tema (streampunk) che raramente viene descritto come piace a me.
    La storia ha ritmi serrati, grazie all'alternarsi tra le vicende dei due giovani protagonisti e tutto ruota attorno alla guerra tra le due fazioni che si affronteranno su un'Europa un po' diversa da quella che abbiamo studiato a scuola, ma non troppo. Ci si affeziona immediatamente ai due protagonisti, il principe che non ha mai messo piede fuori dal castello e la ragazza che si finge maschio per poter entrare nella divisione militare che si occupa delle bestie. Westerfeld ha aggiunto la sua fantasia ad un mondo che già esisteva, senza però uscire dai canoni steampunk, anzi, arricchendoli.
  • T. Devenny
    5.0 out of 5 stars Captivating
    Reviewed in Canada on July 11, 2019
    Fantastic plot and twists. It’s more for adolescence readers but as an adult I still feel in love with the characters and world.