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Don't Call Us Dead: Poems Paperback – September 5, 2017
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Finalist for the National Book Award for Poetry
Winner of the Forward Prize for Best Collection
“[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy.”―The New Yorker
Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality―the dangers experienced in skin and body and blood―and a diagnosis of HIV positive. “Some of us are killed / in pieces,” Smith writes, “some of us all at once.” Don’t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America―“Dear White America”―where every day is too often a funeral and not often enough a miracle.
- Print length96 pages
- LanguageEnglish
- PublisherGraywolf Press
- Publication dateSeptember 5, 2017
- Dimensions6.61 x 0.31 x 8.99 inches
- ISBN-101555977855
- ISBN-13978-1555977856
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Editorial Reviews
Review
“These poems can’t make history vanish, but they can contend against it with the force of a restorative imagination. Smith’s work is about that imagination―its role in repairing and sustaining communities, and in making the world more bearable. . . . Their poems are enriched to the point of volatility, but they pay out, often, in sudden joy. . . . But they also know the magic trick of making writing on the page operate like the most ecstatic speech.”―The New Yorker
“Danez Smith is angry, erotic, politicized, innovative, classical, a formalist, an activist, and blends all of this without seeming to strain. . . . This will be one of the year’s essential books.”―Craig Morgan Teicher, NPR
“[A] stunning collection. . . . These pieces pulse with the rhythms and assertiveness one expects from poetry slams.”―The Washington Post
“Searing. . . . Smith’s capacity for compassionate invention is epic. . . . Smith races across lexicons and spectra, pushing even the boundaries of typography in wrestling with the dreadful fact that the black male body is imperiled from both within and without.”―Tracy K. Smith, O, The Oprah Magazine
“Arguably the year’s most powerful and affecting collection.”―Publishers Weekly, Best Books 2017
“Don’t Call Us Dead is poet Danez Smith’s ferocious second collection. With humanity and heart, Smith contemplates the assaults on a black, male body in America ― police brutality, violence, and AIDS, and the resulting culture of danger, suspicion, grief, psychological pain, and resistance.”―BuzzFeed
“Smith prophesies an end from which a new beginning might spring. Throughout Don’t Call Us Dead, hope appears as a form of resistance and rebirth.”―The Guardian (UK)
“Exceptional. . . . There is pain here but there is so much joy, so much fierce resistance to anything that dares to temper the stories being told here.”―Roxane Gay, Vulture
“Smith’s work is astonishing, its power is a seething one. . . . An essential part of every American’s reading experience.”―Nylon
“Danez Smith’s astonishing second collection, a finalist for this year’s National Book Award, is a testament to the collective power of the queer black imagination and to Smith’s individual talent. He is one of the most original and powerful poets working today.”―Star Tribune(Minneapolis)
“In between rich odes to sexual awakening and love, Smith’s poetry reverberates with an ever-present awareness of the endless fear and latent hurt that accompanies the daily existence of black men in the United States. . . . These are poems you want to wrap your arms around and keep safe.”―Vox
“Don’t Call Us Dead . . . may be the greatest book―not just of poetry, but of any writing, period―I’ve read all decade.”―Porochista Khakpour, Bookforum
“Smith activates a spectrum of emotions in material that could justifiably remain tragic, bringing pathos and several senses of humor.”―The Nation
“These poems are a reminder that there is always at least as much joy as there is violence.”―Rookie
“Elegy meets celebration of the black male body on every page. . . . Smith can’t help but be breathtaking in style and substance.”―Virginia Quarterly Review
“Aching and elegiac, these poems bless our world in all its ruin, beg it to be otherwise, and begin the bloody work of writing it anew.”―Literary Hub
“Danez Smith is a meteorite of the poetry world, blazing new territory with each new book.”―MPR News
“Don’t Call Us Dead is an historical commentary, a scientific document, a personal narrative, and a formal poetics. . . . Smith uses every tool of craft at a poet’s disposal to deliver powerful, urgent, deliberate, crucial poems. Don’t miss this book.”―The Rumpus
“Smith’s book is like poetic rapture. . . . Read Don’t Call Us Dead start to finish and if your breath takes a beat, that’s the point: Smith is here to call us out, wake us up, tear us down to what is raw.”―The Millions
“The result is bittersweet, but the sweetness is real, even when it’s grounded in imagination―partly because that imagination is so grounded in the reality it wants to refuse, but just as much because Smith, in fantasy and in grief, commits to giving pleasure. These poems are a form of entertainment―something far more profound than we tend to admit. Entertainment is more than mere escapism; it’s a form of generosity―a way to knit up the raveled time and materials of lives made ragged. And Smith, at their best, entertains unusually well.”―Kenyon Review
“The poet has always been a prophet leading cultural change to the good, and Danez Smith makes a revival of death into song in Don’t Call Us Dead. . . . Danez Smith is making a high niche in evolution, by sourcing his life into indelible art.”―Washington Independent Review of Books
“Smith has created in this book a universe of boys―black boys, brown boys, sexualized ‘bois,’ but for every struggling, injured or dead boy, there is a heartbroken mother, a grieving grandmother, a fractured circle of friends―a community joined by loss. Smith has managed to leaven this pathos with praise, humor, and the hope of redemption.”―The Hudson Review
“Danez Smith has become one of a generation’s most noticed poets, and for good reason: at once a stunning performer and a tersely effective arranger of words on the page, Smith can address the Black Lives Matter movement, the erasure of black humanity by malign police, and then pivot to vivid, sexy, or scary records from a complex queer sexuality.”―Poets.org
“It’s been a while since I’ve read a book of poems where I felt that the poems had to be written, that everything was at stake in the writing of them―that’s how I feel about Danez Smith’s Don’t Call Us Dead, in terms of what the poems address, variously queerness, life on both sides of the divide between HIV- and HIV+, life in the wake of having lost so many friends to the seeming dailiness of police murdering black men in particular, black people more generally. Far, though, from succumbing to despair, Smith makes of joy―of the expression of joy―both a tool for survival and a form of resistance.”―Carl Phillips, Poetry Foundation
“[Don’t Call Us Dead] is all the things poetry ought to be but rarely grasps―heartbreaking, funny, sorrowful, surprising.”―Mpls.St.Paul Magazine
“Not content to merely allow us to play witness to the horrors of oppression, Smith’s poems pull us into it; they brim with blood, violence, aches and broken bodies. But there is humor, too, and hope, and it’s this hope that elevates the book to its crucial contemporary importance.”―BookPage
“These poems decenter through love, erasing margins and reconfiguring the world as a space in which the marginalized body is worthy, the dismissed spirit is honored. They imagine lovingly. They critique lovingly. They mourn and celebrate and insist lovingly.”―Fight and Fiddle
“Don’t Call Us Dead rattles the core of the heart and consciousness for a new understanding of self and its singular and collective orientation in the world. . . . This volume is a testament of a lively and courageous human facing the gun, so to speak, interrogating who flexes power and who is on the other end. Smith lifts the fallen body/bodies up to the light, probes the cosmos for a fierce justice, sees in their brothers’ redemption, objects to random forces of violence, of people gone unhonored, resisting oppression.”―Empty Mirror
“Luminous and piercing, this collection reassembles shattering realities into a shimmering and sharp mosaic.”―Publishers Weekly, starred review
“In this remarkable second collection from Kate Tufts/Lambda Award winner Smith, the content as well as the writing is transcendent.”―Library Journal, starred review
“Part indelible elegy, part glorious love song to ‘those brown folks who make / up the nation of my heart,’ Smith’s powerhouse collection is lush with luminous imagery, slick rhythms, and shrewd nods to Lucille Clifton, Beyoncé, and Diana Ross. Incandescent, indispensable, and, yes, nothing short of a miracle.”―Booklist, starred review
“This book is poetry as fierce fire. There is such intelligence and fervor in these poems about black men and their imperiled bodies, gay men and their impassioned bodies, what it means to be HIV positive, and so much more. Every poem impressed me, and the level of craft here is impeccable. Loved this one.”―Roxane Gay
“Danez Smith’s is a voice we need now more than ever as living, feeling, complex, and conflicted beings. These poems of love extend beyond the erotic into the struggle for unity―not despite the realities of race but precisely because of what race has caused us to make of and do to one another. Don’t Call Us Dead gives me a dose of hope at a time when such a thing feels hard to come by. This is a mighty work, and a tremendous offering.”―Tracy K. Smith, Pulitzer Prize-winning author of Life on Mars
“In an America that conspires against black, brown, queer, and trans bodies, Danez Smith writes poems of insistence and resistance; they anticipate a better world for all of us ‘where everything is sanctuary & nothing is a gun.’”―D. A. Powell
“Danez Smith is an original. . . . If you have ever lost faith, if you want to believe in life, then you must read this book―it will humble and uplift you, leave you understanding that in the face of it all, there is only awe.”―Chris Abani
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Don't Call Us Dead
Poems
By Danez SmithGRAYWOLF PRESS
Copyright © 2017 Danez SmithAll rights reserved.
ISBN: 978-1-55597-785-6
Contents
summer, somewhere, 3,dear white America, 25,
dinosaurs in the hood, 26,
it won't be a bullet, 28,
last summer of innocence, 29,
a note on Vaseline, 31,
a note on the phone app that tells me how far i am from other men's mouths, 32,
& even the black guy's profile reads sorry, no black guys, 33,
nigga O, 34,
... nigga, 35,
at the down-low house party, 36,
bare, 37,
seroconversion, 38,
fear of needles, 40,
recklessly, 41,
elegy with pixels & cum, 48,
litany with blood all over, 49,
it began right here, 55,
crown, 56,
blood hangover, 60,
1 in 2, 61,
every day is a funeral & a miracle, 64,
not an elegy, 67,
a note on the body, 72,
you're dead, America, 75,
strange dowry, 78,
tonight, in Oakland, 79,
little prayer, 81,
dream where every black person is standing by the ocean, 82,
notes, 85,
CHAPTER 1
summer, somewhere
somewhere, a sun. below, boys brown
as rye play the dozens & ball, jump
in the air & stay there. boys become new
moons, gum-dark on all sides, beg bruise
-blue water to fly, at least tide, at least
spit back a father or two. i won't get started.
history is what it is. it knows what it did.
bad dog. bad blood. bad day to be a boy
color of a July well spent. but here, not earth
not heaven, we can't recall our white shirts
turned ruby gowns. here, there's no language
for officer or law, no color to call white.
if snow fell, it'd fall black. please, don't call
us dead, call us alive someplace better.
we say our own names when we pray.
we go out for sweets & come back.
* * *
this is how we are born: come morning
after we cypher/feast/hoop, we dig
a new one from the ground, take
him out his treebox, shake worms
from his braids. sometimes they'll sing
a trapgod hymn (what a first breath!)
sometimes it's they eyes who lead
scanning for bonefleshed men in blue.
we say congrats, you're a boy again!
we give him a durag, a bowl, a second chance.
we send him off to wander for a day
or ever, let him pick his new name.
that boy was Trayvon, now called RainKing.
that man Sean named himself i do, i do.
O, the imagination of a new reborn boy
but most of us settle on alive.
* * *
sometimes a boy is born
right out the sky, dropped from
a bridge between starshine & clay.
one boy showed up pulled behind
a truck, a parade for himself
& his wet red train. years ago
we plucked brothers from branches
peeled their naps from bark.
sometimes a boy walks into his room
then walks out into his new world
still clutching wicked metals. some boys
waded here through their own blood.
does it matter how he got here if we're all here
to dance? grab a boy! spin him around!
if he asks for a kiss, kiss him.
if he asks where he is, say gone.
* * *
dear air where you used to be, dear empty Chucks
by front door, dear whatever you are now, dear son
they buried you all business, no ceremony.
cameras, t-shirts, essays, protests
then you were just dead. some nights
i want to dig you up, bury you right.
scrape dirt until my hands are raw
& wounds pack themselves with mud.
i want to dig you up, let it rain twice
before our next good-bye.
dear sprinkler dancer, i can't tell if I'm crying
or i'm the sky, but praise your sweet rot
unstitching under soil, praise dandelions
draining water from your greening, precious flesh.
i'll plant a garden on top
where your hurt stopped.
* * *
just this morning the sun laid a yellow not-palm
on my face & i woke knowing your hands
were once the only place in the world.
this very morning i woke up
& remembered unparticular Tuesdays
my head in your lap, scalp covered in grease
& your hands, your hands, those hands
my binary gods. Those milk hands, bread hands
hands in the air in church hands, cut-up fish hands
for my own good hands, back talk backhands, hurt more
than me hands, ain't asking no mo' hands
everything i need come from those hands
tired & still grabbing grease, hum
while she makes her son royal onyx hands.
mama, how far am i
gone from home?
* * *
do you know what it's like to live
on land who loves you back?
no need for geography
now, we safe everywhere.
point to whatever you please
& call it church, home, or sweet love.
paradise is a world where everything
is sanctuary & nothing is a gun.
here, if it grows it knows its place
in history. yesterday, a poplar
told me of old forest
heavy with fruits i'd call uncle
bursting red pulp & set afire
harvest of dark wind chimes.
after i fell from its limb
it bandaged me in sap.
* * *
i loved a boy once & once he made me
a red dirge, skin casket, no burial.
left me to become a hum in a choir
of bug mouths. he was my pastor
in violet velvet, my night nurse
my tumor, my sick heart, my bad blood
all over his Tims. he needed me
so much he had to end me.
i was his fag sucked into ash
his lungs my final resting place.
my baby turned me to smoke
choked on my name 'til it was gone.
i was his secret until i wasn't
alive until not. outside our closet
i found a garden. he would love it
here. he could love me here.
* * *
dear brother from another
time, today some stars gave in
to the black around them
& i knew it was you.
my ace, my g, my fellow
kingdomless king
they've made you a boy
i don't know
replaced my friend
with a hashtag.
wish i could tell you
his hands are draped
from my neck, but his
shield is shaped like
a badge. i leave revenge
hopelessly to God.
* * *
last night's dream was a red June
filled with our mouths sticky
with sugar, we tiny teethed brown beasts
of corner stores, fingers always
dusted cheeto gold. do you remember
those yellow months? our calves burned
all day biking each other around on pegs
taking turns being steed & warrior
at the park we stormed like distant shores
our little ashy wars, shoes lit with blue sparks
those summers we chased anybody
who would say our names, jumped fences
just to prove we could jump, fingers stained
piff green with stank, riding around
barely old enough to ride around, dreaming
a world to conquer? i wish you ended me, Sweet Cain.
* * *
if we dream the old world
we wake up hands up.
sometimes we unfuneral a boy
who shot another boy to here
& who was once a reaper we make
a brother, a crush, a husband, a duet
of sweet remission. say the word
i can make any black boy a savior
make him a flock of ravens
his body burst into ebon seraphs.
this, our handcrafted religion.
we are small gods of redemption.
we dance until guilt turns to sweat.
we sweat until we flood & drown.
don't fret, we don't die. they can't kill
the boy on your shirt again.
* * *
the forest is a flock of boys
who never got to grow up
blooming into forever
afros like maple crowns
reaching sap-slow toward sky. watch
Forest run in the rain, branches
melting into paper-soft curls, duck
under the mountain for shelter. watch
the mountain reveal itself a boy.
watch Mountain & Forest playing
in the rain, watch the rain melt everything
into a boy with brown eyes & wet naps —
the lake turns into a boy in the rain
the swamp — a boy in the rain
the fields of lavender — brothers
dancing between the storm.
* * *
when i want to kiss you
i kiss the ground.
i shout down sirens.
they bring no safety.
my king turned my ache
my one turned into my nothing.
all last month was spent in bed
with your long gone name.
what good is a name
if no one answers back?
i know when the wind feels
as if it's made of hands
& i feel like i'm made of water
it's you trying to save me
from drowning in myself, but i can't
wed wind. i'm not water.
* * *
when i dream of you i wake
in a field so blue i drown.
if you were here, we could play
Eden all day, but fruit here
grows strange, i know before me
here lived something treacherous.
whose arms hold you now
after my paradise grew from chaos?
whose name do you make
thunder the room?
is he a good man?
does he know my face?
does he look like me?
do i keep him up at night?
* * *
how old am i? today, i'm today.
i'm as old as whatever light touches me.
some nights i'm new as the fire at my feet
some nights i'm a star, glamorous, ancient
& already extinguished. we citizens
of an unpopular heaven
& low-attended crucifixions. listen
i've accepted what i was given
be it my name or be it my ender's verdict.
when i was born, i was born a bull's-eye.
i spent my life arguing how i mattered
until it didn't matter.
who knew my haven
would be my coffin?
dead is the safest i've ever been.
i've never been so alive.
* * *
if you press your ear to the dirt
you can hear it hum, not like it's filled
with beetles & other low gods
but like a tongue rot with gospel
& other glories. listen to the dirt
crescendo a kid back.
come. celebrate. this
is everyday. everyday
holy. everyday high
holiday. everyday new
year. every year, days get longer.
time clogged with boys. the boys
O the boys. they still come
in droves. the old world
keeps choking them. our new one
can't stop spitting them out.
* * *
i was raised with a healthy fear of the dark.
i turned the light bright, but you just kept
being born, kept coming for me, kept being
so dark, i got sca ... i was doing my job.
* * *
dear badge number
what did i do wrong?
be born? be black? meet you?
* * *
ask the mountainboy to put you on
his shoulders if you want to see
the old world, ask him for some lean
-in & you'll be home. step off him
& walk around your block.
grow wings & fly above your city.
all the guns fire toward heaven.
warning shots mince your feathers.
fall back to the metal-less side
of the mountainboy, cry if you need to.
that world of laws rendered us into dark
matter. we asked for nothing but our names
in a mouth we've known
for decades. some were blessed
to know the mouth.
our decades betrayed us.
* * *
there, i drowned, back before, once.
there, i knew how to swim, but couldn't.
there, men stood by shore & watched me blue.
there, i was a dead fish, the river's prince.
there, i had a face & then didn't.
there, my mother cried over me, open casket
but i wasn't there. i was here, by my own
water, singing a song i learned somewhere
south of somewhere worse.
now, everywhere i am is
the center of everything. i must
be the lord of something.
what was i before? a boy? a son?
a warning? a myth? i whistled
now i'm the god of whistling.
i built my Olympia downstream.
* * *
you are not welcome here. trust
the trip will kill you. go home.
we earned this paradise
by a death we didn't deserve.
i'm sure there are other heres.
a somewhere for every kind
of somebody, a heaven of brown
girls braiding on golden stoops
but here —
how could i ever explain to you —
someone prayed we'd rest in peace
& here we are
in peace whole all summer
* * *
dear white america
i've left Earth in search of darker planets, a solar system revolving too near a black hole. i've left in search of a new God. i do not trust the God you have given us. my grandmother's hallelujah is only outdone by the fear she nurses every time the bloodfat summer swallows another child who used to sing in the choir. take your God back. though his songs are beautiful, his miracles are inconsistent. i want the fate of Lazarus for Renisha, want Chucky, Bo, Meech, Trayvon, Sean & Jonylah risen three days after their entombing, their ghost re-gifted flesh & blood, their flesh & blood regifted their children. i've left Earth, i am equal parts sick of your go back to Africa & i just don't see race. neither did the poplar tree. we did not build your boats (though we did leave a trail of kin to guide us home). we did not build your prisons (though we did & we fill them too). we did not ask to be part of your America (though are we not America? her joints brittle & dragging a ripped gown through Oakland?). i can't stand your ground. i'm sick of calling your recklessness the law. each night, i count my brothers. & in the morning, when some do not survive to be counted, i count the holes they leave. i reach for black folks & touch only air. your master magic trick, America. now he's breathing, now he don't. abra-cadaver. white bread voodoo. sorcery you claim not to practice, hand my cousin a pistol to do your work. i tried, white people. i tried to love you, but you spent my brother's funeral making plans for brunch, talking too loud next to his bones. you took one look at the river, plump with the body of boy after girl after sweet boi & ask why does it always have to be about race? because you made it that way! because you put an asterisk on my sister's gorgeous face! call her pretty (for a black girl)! because black girls go missing without so much as a whisper of where?! because there are no amber alerts for amber-skinned girls! because Jordan boomed. because Emmett whistled. because Huey P. spoke. because Martin preached. because black boys can always be too loud to live. because it's taken my papa's & my grandma's time, my father's time, my mother's time, my aunt's time, my uncle's time, my brother's & my sister's time ... how much time do you want for your progress? i've left Earth to find a place where my kin can be safe, where black people ain't but people the same color as the good, wet earth, until that means something, until then i bid you well, i bid you war, i bid you our lives to gamble with no more. i've left Earth & i am touching everything you beg your telescopes to show you. i'm giving the stars their right names. & this life, this new story & history you cannot steal or sell or cast overboard or hang or beat or drown or own or redline or shackle or silence or cheat or choke or cover up or jail or shoot or jail or shoot or jail or shoot or ruin
this, if only this one, is ours.
dinosaurs in the hood
let's make a movie called Dinosaurs in the Hood.
Jurassic Park meets Friday meets The Pursuit of Happyness.
there should be a scene where a little black boy is playing
with a toy dinosaur on the bus, then looks out the window
& sees the T. rex, because there has to be a T. rex.
don't let Tarantino direct this. in his version, the boy plays
with a gun, the metaphor: black boys toy with their own lives
the foreshadow to his end, the spitting image of his father.
nah, the kid has a plastic brontosaurus or triceratops
& this is his proof of magic or God or Santa. i want a scene
where a cop car gets pooped on by a pterodactyl, a scene
where the corner store turns into a battleground. don't let
the Wayans brothers in this movie. i don't want any racist shit
about Asian people or overused Latino stereotypes.
this movie is about a neighborhood of royal folks —
children of slaves & immigrants & addicts & exile — saving their town
from real ass dinosaurs. i don't want some cheesy, yet progressive
Hmong sexy hot dude hero with a funny, yet strong, commanding
Black girl buddy-cop film. this is not a vehicle for Will Smith
& Sofia Vergara. i want grandmas on the front porch taking out raptors
with guns they hid in walls & under mattresses. i want those little spitty
screamy dinosaurs. i want Cecily Tyson to make a speech, maybe two.
i want Viola Davis to save the city in the last scene with a black fist afro pick
through the last dinosaur's long, cold-blood neck. But this can't be
a black movie. this can't be a black movie. this movie can't be dismissed
because of its cast or its audience. this movie can't be metaphor
for black people & extinction. This movie can't be about race.
this movie can't be about black pain or cause black pain.
this movie can't be about a long history of having a long history with hurt.
this movie can't be about race. nobody can say nigga in this movie
who can't say it to my face in public. no chicken jokes in this movie.
no bullet holes in the heroes. & no one kills the black boy. & no one kills
the black boy. & no one kills the black boy. besides, the only reason
i want to make this is for the first scene anyway: little black boy
on the bus with his toy dinosaur, his eyes wide & endless
his dreams possible, pulsing, & right there.
it won't be a bullet
becoming a little moon — brightwarm in me one night.
thank god. i can go quietly. the doctor will explain death
& i'll go practice.
in the catalogue of ways to kill a black boy, find me
buried between the pages stuck together
with red stick. ironic, predictable. look at me.
i'm not the kind of black man who dies on the news.
i'm the kind who grows thinner & thinner & thinner
until light outweighs us, & we become it, family
gathered around my barely body telling me to go
toward myself.
(Continues...)Excerpted from Don't Call Us Dead by Danez Smith. Copyright © 2017 Danez Smith. Excerpted by permission of GRAYWOLF PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Graywolf Press (September 5, 2017)
- Language : English
- Paperback : 96 pages
- ISBN-10 : 1555977855
- ISBN-13 : 978-1555977856
- Item Weight : 2.31 pounds
- Dimensions : 6.61 x 0.31 x 8.99 inches
- Best Sellers Rank: #106,000 in Books (See Top 100 in Books)
- #52 in LGBTQ+ Poetry (Books)
- #64 in Black & African American Poetry (Books)
- Customer Reviews:
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Customers praise this poetry collection for its powerful and gorgeous poems about love, with breathtaking imagery that transports readers into a world of intricate emotions. The book is honest and well-crafted, with one customer noting how it makes every bus ride an introspective journey. While customers find the collection outstanding, some mention it is hard to read.
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Customers praise the poetry collection, describing it as one of the best they've read, with powerful and gorgeous poems about love. One customer notes that the themes are universal.
"...Smith's vocabulary is kept simple for the most part. There isn’t big fancy words thrown in just to make the poems seem intelligent, pretty or fancy...." Read more
"...Each poem stands on its own, yet together, they form a tapestry of thought-provoking perspectives that leave a lasting impact long after the bus..." Read more
"...The collection opens with a poignant imagining of an afterlife for black men slain by police, weaving through landscapes of desire, mortality, and..." Read more
"...Smith has a nimble control of the language. He communicates experience as if he is reporting from the front line, and well, he is...." Read more
Customers find the book thought-provoking, with reviews mentioning how it transports readers into a world of intricate emotions and makes every bus ride an introspective journey. One customer notes how it explores the complexities of existence with raw intensity.
"...Hard hitting and intense, Danez Smith's "Don't Call Us Dead" is all about police brutality, America, gay men, sex, life and death, and HIV...." Read more
"...Overall: 8/10 - An enlightening and emotional journey that transforms daily commuting into an opportunity for introspection and personal growth...." Read more
"...navigates themes of identity, injustice, and the complexities of existence with raw intensity...." Read more
"...A delightful, agonizing, harrowing collection." Read more
Customers appreciate the imagery in the book, describing it as breathtaking and lovely in every way.
"...words thrown in just to make the poems seem intelligent, pretty or fancy. No need to run and scramble to Google search a word...." Read more
"...This collection of poems by Danez Smith masterfully paints poignant pictures of the world we inhabit, as seen through the lens of diverse..." Read more
"...Smith's poetic prowess shines through powerful imagery and unflinching honesty, crafting verses that are both haunting and hopeful...." Read more
"...But it has been years since I have been so moved by the beauty, strength and importance of a book. I'm telling everyone I know to read this book...." Read more
Customers appreciate the book's honesty, with one noting how it is rooted in personal experiences.
"...Despite its brevity, the book's content is powerful and leaves you yearning for more...." Read more
"...Smith's poetic prowess shines through powerful imagery and unflinching honesty, crafting verses that are both haunting and hopeful...." Read more
"...years since I have been so moved by the beauty, strength and importance of a book. I'm telling everyone I know to read this book. Just read it." Read more
"Beautiful. Brutal. Truth. This was an amazing book of poetry. I don’t read enough poetry, but this one was lyrical and hard hitting...." Read more
Customers appreciate the craftsmanship of the book, with one describing it as well-made and another noting it arrived in great condition.
"This is an amazing book--heartrending and beautifully crafted and important...." Read more
"It was as described. Great Condition." Read more
"Honest, gritty, beautiful. This is the kind of book that will never leave you. It stays, haunting. Lots of imagery of blood, it's of real life." Read more
"Well-crafted, incredibly moving. The themes are universal." Read more
Customers find the collection outstanding, with one mentioning it is a full collection from Smith.
"This collection was outstanding! Very political, very heavy, but also funny and lighthearted in areas and a bit sexy...." Read more
"Wow. This is my first time reading a full collection from Smith and I am so pleased to have read it. How could I be so lucky? No. Worthy...." Read more
"Danez Smith is a powerful, honest poet. This collection is outstanding!" Read more
"One of the best collections of 2017..." Read more
Customers find the book comforting, with one mentioning it makes them feel all the feels, while another notes there is no pain or suffering.
"...he creates a world where blacks can live again with no fear, no pain or suffering. The very first poem of the book starts us off with that...." Read more
"...poems in this book are striking, haunting, thought provoking, sad, uncomfortable...." Read more
"Soooo good. Makes me feel all the feels. So good" Read more
Customers find the book hard to read.
"...These poems are not easy to read...." Read more
"These poems are screams of rage. Many are hard to read not because they are not beautiful (they are) but because of the poet's anguish and my own..." Read more
"...It was difficult to read but it is so timely...." Read more
Top reviews from the United States
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- Reviewed in the United States on April 8, 2018These poems embrace topics that most avoid discussing around dinner tables or campfires because it makes them uncomfortable. Hard hitting and intense, Danez Smith's "Don't Call Us Dead" is all about police brutality, America, gay men, sex, life and death, and HIV. Here, he creates a world where blacks can live again with no fear, no pain or suffering. The very first poem of the book starts us off with that. For example, Smith says, "Theres no language for officer or law" and "we go out for sweets and come back."
That being said, Smith talks about politics, but it isn't a tiring political debate. The reader knows exactly where they stand with their views, but his rhetoric isn’t hateful(although it may come across that way to readers looking from the outside in. Smith shares their opinion about our president without using his name and says he's a man who has "no words / & hair beyond simile." He talks about gun violence and does a poem partly in the POV of a policemen. For example it starts with, "dear ghost I made/I was raised with a healthy fear of the dark" and continues with "I got sca... I was just doing my job." Later, the same poem is the point of view of a black man. Smith shares his opinion and experience on being a man who's HIV positive, but also mixes that topic with others like gun violence and politics within the same breath. Examples: "some of us are killed / in pieces, some of us all at once” and “do you think someone created AIDS? / maybe. i don't doubt that / anything is possible in a place / where you can burn a body / with less outrage than a flag.” Smith is even informative. They gives readers a statistic from the CDC that states 1 in 2 black men who have gay sex will get HIV. Insanity!
The subject matter often intertwines with the motif: Nature. The running theme for this author is nature. They are often comparing things to forests, roots, skies, oceans, dirt ect.
Smith's imagery is powerful. For example, the lines "how your blood / smells like a hospital, graveyard / or morgue left in the sun" made my nose wrinkle and my lip curl in disgust. Smith's vocabulary is kept simple for the most part. There isn’t big fancy words thrown in just to make the poems seem intelligent, pretty or fancy. No need to run and scramble to Google search a word. The poem isn’t pretty because the topics aren't pretty. The choice of making all “I's" lower case is an interesting choice. That speaks volumes in itself about how the author may feel.
The author plays with line spacing quite a bit. Their line breaks make sense and leave the reader often surprised at what comes next or in suspense as their eyes scurry to get to the next line. The most experimentation and line spacing would be pages 51 and 52 with the mixing of phrases of "my blood" and "his blood." It also breaks up the monotony of line reading and just gives the readers a picture to observe.
Overall, it’s great. Not to be read in a single sitting, but meant to be taken in, digested and then reread for more information. The book isn't all doom and gloom, there are poems that have happier notes. This book is good for people who are just getting into poetry because its modern, it taps into things that can be understood by recent /current generations.
- Reviewed in the United States on June 19, 2023From the moment you turn the first page of "Don't Call Us Dead: Poems", you are transported into a world of intricate emotions and profound contemplation. This collection of poems by Danez Smith masterfully paints poignant pictures of the world we inhabit, as seen through the lens of diverse experiences.
The beauty of "Don't Call Us Dead: Poems" is that it's designed to be digested in small doses, making it an excellent companion for daily commuting. Each poem stands on its own, yet together, they form a tapestry of thought-provoking perspectives that leave a lasting impact long after the bus ride ends.
Despite its brevity, the book's content is powerful and leaves you yearning for more. Smith's words resonate with a raw and authentic emotional depth that speaks to the reader on a personal level. The poems' themes are universal yet personal, making every bus ride an introspective journey.
Ratings:
Readability: 8/10
Emotional Impact: 9/10
Commute Companion: 10/10
Depth of Content: 7/10
Overall: 8/10 - An enlightening and emotional journey that transforms daily commuting into an opportunity for introspection and personal growth. Don't just ride the bus, take a journey with "Don't Call Us Dead: Poems".
- Reviewed in the United States on June 24, 2024In Don't Call Us Dead, Danez Smith fearlessly navigates themes of identity, injustice, and the complexities of existence with raw intensity. The collection opens with a poignant imagining of an afterlife for black men slain by police, weaving through landscapes of desire, mortality, and the HIV-positive experience. Smith's poetic prowess shines through powerful imagery and unflinching honesty, crafting verses that are both haunting and hopeful. This book is a vital testament to the resilience of the human spirit amidst adversity.
- Reviewed in the United States on May 20, 2020There is some truly powerful poetry in this collection, and I highlight the opening sequence as being particularly striking. Smith has a nimble control of the language. He communicates experience as if he is reporting from the front line, and well, he is. You can definitely see the spoken word circuit's influence on his writing, and this is not a bad thing. My only critique would be that because many of the poems in the collection have that spoken word influence, they don't really reward second reading. And occasionally, just occasionally, you get the sense that he has found his schtick, and is going to stay with it. This is much more apparent in his next collection, "Homie".
- Reviewed in the United States on January 6, 2025These poems ripped me apart. Smith write with such power, it was such a gift to read these incredible poems. A must read.
- Reviewed in the United States on January 24, 2018This is an amazing book--heartrending and beautifully crafted and important. I got the book from the library first, sat down and read those opening poems (which features some of the many young black men killed by police), and before I knew it, I was in tears. These poems are not easy to read. They are accessible I think, in terms of language and style, which is something I appreciate in poetry, but the content is difficult. I slowed down. I read the books in bits and pieces, and when I was done, I promptly ordered a copy for myself, and then ordered the book for the graduate poetry class I am teaching. Smith's voice is so important, and these poems render the reality that too many young black men, young gay men, face: a history of opression and violence. And yet, there is so much beauty here too.
I read a lot of poetry. I'm a poet, and I teach poetry in an MFA program. I read a lot of books that get a lot of hype too. But it has been years since I have been so moved by the beauty, strength and importance of a book. I'm telling everyone I know to read this book. Just read it.
Top reviews from other countries
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lucastulioReviewed in Brazil on June 8, 2018
5.0 out of 5 stars Emocionante.
Danez é um Shakespeare moderno. Maravilhoso.Os assuntos são tratados aqui com muita abertura e sinceridade. Vale o tempo e a leitura.
- Amazon CustomerReviewed in Canada on May 12, 2018
5.0 out of 5 stars and she LOVED it. It also came a few days early ...
I bought it as a surprise present for a young, black poet (my kid sister), and she LOVED it. It also came a few days early which was great.
- sreeshmaReviewed in India on August 18, 2018
5.0 out of 5 stars Black voice
Brilliant writing with new form of poetry. Perfectly reflects the dark conscience of society. Good read for any avid reader.
- BookwormBevReviewed in the United Kingdom on March 16, 2018
5.0 out of 5 stars Beautiful. Painful
Incredible. Beautiful. Painful.
Breath-taking. Heart -breaking.
Poetry has to be really something special and evoke very strong feelings and images for me to have a positive reaction to it - and the impact made by Danez Smith in this collection was intense. I'm left feeling somewhat masochistic in a sense....in that I could compare my emotional state on finishing reading this book as similar to feeling grateful for being run over by a truck. I'm shaken and I'm tearful, yet I'm now looking for earlier work to buy and then returning to the beginning of 'Don't Call Us Dead' in order to go through again - aloud, to anyone who will listen.
- JessicaReviewed in the United Kingdom on April 16, 2020
5.0 out of 5 stars Absolutely amazing!!!
A must have for any poetry collection.
There are many dark topics in this book however it does not leave you feeling depressed.
I started reading this book and I couldn't put it down until I finished it.